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Siren figures can appear alongside protomes shaped like griffins, hybrid creatures with the body, tail, and back legs of a lion combined with the head, wings, and talons of an eagle. A good example of their arrangement and orientation can be seen on a Near Eastern tripod cauldron in the Glencairn Museum in Pennsylvania. Two to four Sirens were attached to the rim of the cauldron, usually facing inwards toward the bowl. Siren attachments are essentially an elaborate way of affixing handles to a cauldron (5). Sirens entered Greek art as a part of the decoration on Orientalizing tripod cauldrons, which were introduced to Greece in the so-called Orientalizing period (mid-8th to mid-7th centuries B.C.E.), when many hybrid monsters like spinxes, Sirens, and griffins entered Greek art (1). These attachments and the Orientalizing cauldrons they adorned are thought to have had their origins in the Near East, specifically North Syria (2) or Urartu (3). Cauldrons found on the eastern Mediterranean island of Cyprus provide a crucial link to these Near Eastern origins (4). Attic red-figure stamnos at the British Museum. This scene was depicted on the so-called Siren Vase, an early 5th century B.C.E. In Book 12 of Homer's Odyssey, the hero Odysseus escaped the Sirens' call with the help of the sorceress Circe, who advised him to fill his crew's ears with wax so that they could not hear the Sirens Odysseus, however, wanted to hear the Sirens' song and so ordered the crew to tie him to the mast so that he could hear their song but not succumb to its powers. Sirens are dangerous creatures who live on rocky islands and lure sailors to their doom with their sweet song. Sirens are traditionally understood to be female, but similar figures with beards can be labeled either as Sirens or as daemons.
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In ancient Greek mythology, a Siren is a hybrid creature with the body of a bird and the head of a human.